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About Kyoto

So I’m walkin’, dodgin’ sketchy dudes, feelin’ like I’m in Tarr’s black-and-white hellscape. “The world has gone mad,” I whisper—another *Werckmeister* gem—cuz it’s true! Cops could roll up any sec, and I’m like, “I’m just researchin’, officer!” Yeah, right. Heart’s poundin’, palms sweaty—then bam, I spot her. She’s got this vibe, y’know? Not glamorous, not tragic—just there, doin’ her thing. I’m surprised—she’s chill, not pushy, not what I expected from all the Hollywood crap. “How much?” I blurt, feelin’ dumb. She smirks—$50, quick and dirty. Deal.

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Kai Cheng Thom is a writer, performer, and social worker who divides her heart between Montreal and Toronto, unceded Indigenous territories. She.

But then, I hit a snag. I’m walkin’ back, and I see a bunch of guys arguing near the station. It’s gettin’ heated, and I’m like, “Oh boy, here we go.” I’m not about to get involved, but I can’t help but eavesdrop. Turns out, they’re fightin’ over who makes the best ramen in Kai. I mean, c’mon! It’s all good!

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